Ilse Koch on Trial: Making the “Bitch of Buchenwald”

Today's nonfiction post is on Ilse Koch on Trial: Making the “Bitch of Buchenwald” by Tomaz Jardim. It is 368 pages long and is published by Harvard University Press. The cover is the mug shot of Koch. The intended reader is someone who is interested in World War II history and a closer look at the trials of one person. There is some foul language, no sex, and no violence in this book. There Be Spoilers Ahead.

From the dust jacket- An authoritative reassessment of one of the Third Reich’s most notorious war criminals, whose alleged sexual barbarism made her a convenient scapegoat and obscured the true nature of Nazi terror.
On September 1, 1967, one of the Third Reich’s most infamous figures hanged herself in her cell after nearly twenty-four years in prison. Known as the “Bitch of Buchenwald,” Ilse Koch was singularly notorious, having been accused of owning lampshades fabricated from skins of murdered camp inmates and engaging in “bestial” sexual behavior. These allegations fueled a public fascination that turned Koch into a household name and the foremost symbol of Nazi savagery. Her subsequent prosecution resulted in a scandal that prompted US Senate hearings and even the intervention of President Truman.
Yet the most sensational atrocities attributed to Koch were apocryphal or unproven. In this authoritative reappraisal, Tomaz Jardim shows that, while Koch was guilty of heinous crimes, she also became a scapegoat for postwar Germans eager to distance themselves from the Nazi past. The popular condemnation of Koch―and the particularly perverse crimes attributed to her by prosecutors, the media, and the public at large―diverted attention from the far more consequential but less sensational complicity of millions of ordinary Germans in the Third Reich’s crimes.
Ilse Koch on Trial reveals how gendered perceptions of violence and culpability drove Koch’s zealous prosecution at a time when male Nazi perpetrators responsible for greater crimes often escaped punishment or received lighter sentences. Both in the international press and during her three criminal trials, Koch was condemned for her violation of accepted gender norms and “good womanly behavior.” Koch’s “sexual barbarism,” though treated as an emblem of the Third Reich’s depravity, ultimately obscured the bureaucratized terror of the Nazi state and hampered understanding of the Holocaust.

Review- This is a deep dive into one person's role in Nazi Germany. Ilse Koch did not work at a camp, she was married to the camp commander and she was a card carrying Nazi but she had no authority. Instead she became the face for all Germans who knew what was happening and did nothing. So the legend of Ilse Koch as grown over the years and now she is a symbol of a power and lust crazed woman. That image does no favors for anyone, not for those who do act in those ways nor to a average person who just looks the other way. Jardim wants to engage with history and try to pick apart what really happened and what Ilse Koch did. This book is written in a very academic way and that will put some readers off but if World War II history is a passion for you, then you should have this one a try. 

I give this book a Four out of Five stars. I get nothing for my review and I borrowed this book from my local library.